# blog_posts

slug: morning-in-deep-mountains
title: 41深山中的清晨25
title_en: Morning in the Deep Mountains
cover_image: https://images.unsplash.com/photo-1506905925346-21bda4d32df4?w=800
tags: travel,life
status: published
publish_date: 2026-07-28
created_at: 2026-08-01 14:27:02
updated_at: 2026-08-01T16:09:03.629Z
content_md:
  ## 引言

  清晨五点，山间的雾还未散去。我推开木屋的门，冷空气像潮水般涌进来，带着松针和露水的气味。

  远处传来几声鸟鸣，空灵得不像这个世界里的声音。我端着热茶站在木阶上，看雾气在树梢间游走，像一条没有骨头的河流。



  ![1258072b666750bd27ba69c2dfaaf903](/uploads/1785596831074-eeumqm.jpg)


  <!--break-->

  ## 正文



  ![cai_character_1](/uploads/1785596843006-b2wb14.png)



  太阳从山脊后慢慢升起，第一缕光穿过雾气，把整个山谷染成淡金色。这种光，城市里是看不到的——它太干净了，没有玻璃幕墙的反射，没有广告牌的污染。

  我在这里已经住了三天。没有网络，没有信号，只有我和这座山。最初的不安已经消失，取而代之的是一种久违的清明。

  我开始相信，人需要偶尔把自己从喧嚣中抽离出来，让感官重新校准。城市生活让我们麻木——对光，对声音，对气味，对时间。只有回到自然的节奏里，才能重新听见自己。

  下山的时候，我把茶叶罐留在了木屋。也许下次还会来，也许不会。但那个清晨会一直留在记忆里，像一束干净的光。

content_md_en:
  ## Introduction

  At five in the morning, the mist in the mountains had not yet dispersed. I pushed open the door of the wooden cabin, and cold air rushed in like a tide, carrying the scent of pine needles and dew.

  A few bird calls came from afar, so ethereal they did not seem to belong to this world. Standing on the wooden steps with hot tea in hand, I watched the mist drift among the treetops like a boneless river.

  <!--break-->

  ## Body

  The sun slowly rose from behind the ridge, and the first rays of light pierced through the mist, dyeing the entire valley a pale gold. This kind of light cannot be seen in the city — it is too clean, without the reflection of glass walls, without the pollution of billboards.

  I have been here for three days. No internet, no signal, only me and this mountain. The initial unease has vanished, replaced by a long-lost clarity.

  I have come to believe that people need to occasionally detach themselves from the noise and recalibrate their senses. City life makes us numb — to light, to sound, to scent, to time. Only by returning to the rhythm of nature can we hear ourselves again.

  When I descended the mountain, I left the tea canister in the cabin. Perhaps I will return, perhaps not. But that morning will remain in memory, like a beam of clean light.


slug: react-19-new-features
title: React 19 新特性解析
title_en: A Look at React 19 New Features
cover_image: https://images.unsplash.com/photo-1633356122544-f134324a6cee?w=800
tags: tech
status: published
publish_date: 2026-07-25
created_at: 2026-08-01 14:27:02
updated_at: 2026-08-01T16:16:37.796Z
content_md_en:
  ## Introduction

  React 19 is finally stable, bringing Actions, useOptimistic, useFormStatus, and a series of new APIs. These updates fundamentally change how we write async interactions.

  <!--break-->

  ## Actions

  Actions are React 19's most important concept. Simply put, you can pass an async function to `<form action={...}>`, and React will automatically manage pending state, error handling, and optimistic updates.

  ```jsx
  function UpdateName() {
    const [name, setName] = useState("");
    const [error, setError] = useState(null);
    const [isPending, startTransition] = useTransition();

    const handleSubmit = () => {
      startTransition(async () => {
        const error = await updateName(name);
        if (error) {
          setError(error);
          return;
        }
        redirect("/path");
      });
    };

    return (
      <div>
        <input value={name} onChange={(e) => setName(e.target.value)} />
        <button onClick={handleSubmit} disabled={isPending}>
          Update
        </button>
        {error && <p>{error}</p>}
      </div>
    );
  }
  ```

  ## useOptimistic

  `useOptimistic` lets you optimistically update the UI before the request completes, automatically rolling back on failure. Useful for high-frequency interactions like likes and comments.

  ## Summary

  React 19's core idea: sink async interaction state management into the framework layer. Developers only care about business logic; pending/error/optimistic are handled by React.


slug: minimalist-design-principles
title: 极简主义设计原则
title_en: Principles of Minimalist Design
cover_image: https://images.unsplash.com/photo-1493723843671-1d655e66ac1c?w=800
tags: design
status: published
publish_date: 2026-07-22
created_at: 2026-08-01 14:27:02
updated_at: 2026-08-01 14:27:02
content_md:
  ## 引言

  少即是多。这句话被设计师重复了无数遍，但真正能做到的人却不多。极简主义不是"少做"，而是"做对"。

  <!--break-->

  ## 三个核心原则

  ### 1. 删除一切非必要元素

  每一像素都应该为内容服务。如果一个元素不能帮助用户理解内容或完成任务，就删掉它。

  ### 2. 建立清晰的视觉层级

  通过字号、字重、颜色、间距建立层级，而不是通过装饰。用户应该一眼看出"什么是重要的"。

  ### 3. 留白是一种内容

  留白不是"空"，而是呼吸。它让眼睛休息，让重要内容突出。

  ## 实践建议

  - 限制颜色数量（主色 + 辅助色 + 中性灰）
  - 字体不超过两种
  - 间距用 8 的倍数对齐
  - 移动每一个元素前问自己：删掉它会怎样？

content_md_en:
  ## Introduction

  Less is more. Designers have repeated this phrase countless times, but few can truly achieve it. Minimalism is not "doing less", but "doing it right".

  <!--break-->

  ## Three Core Principles

  ### 1. Remove All Non-essential Elements

  Every pixel should serve the content. If an element does not help users understand content or complete tasks, delete it.

  ### 2. Establish Clear Visual Hierarchy

  Build hierarchy through font size, weight, color, and spacing — not decoration. Users should see at a glance "what is important".

  ### 3. Whitespace is Content

  Whitespace is not "empty", but breath. It lets the eyes rest and makes important content stand out.

  ## Practical Tips

  - Limit the number of colors (primary + secondary + neutral gray)
  - No more than two typefaces
  - Align spacing to multiples of 8
  - Before moving any element, ask yourself: what if you deleted it?


slug: coffee-shop-work-philosophy
title: 咖啡馆里的工作哲学
title_en: Work Philosophy in a Coffee Shop
cover_image: https://images.unsplash.com/photo-1495474472287-4d71bcdd2085?w=800
tags: life
status: published
publish_date: 2026-07-20
created_at: 2026-08-01 14:27:02
updated_at: 2026-08-01 14:27:02
content_md:
  ## 引言

  我在咖啡馆里写完了第一本书的一半章节。不是因为没有办公室，而是因为咖啡馆有一种神奇的氛围——既不孤独，也不打扰。

  <!--break-->

  ## 咖啡馆为什么适合工作

  研究表明，适度的环境噪音（约 70 分贝）最能激发创造性思维。咖啡馆的背景声——咖啡机蒸汽、低声交谈、杯盘碰撞——恰好处于这个区间。

  更重要的是"社交暗示"。周围都在工作的人会让你不自觉地也进入工作状态。这就是为什么很多人喜欢去图书馆而不是在家里。

  ## 我的咖啡馆工作清单

  1. 选角落位置，背对人流
  2. 一杯美式 + 一杯白水
  3. 关掉手机通知
  4. 用番茄钟，25 分钟工作 + 5 分钟看窗外
  5. 完成一个里程碑再换地方

  工作不是地点的问题，是状态的问题。咖啡馆帮我切换状态。

content_md_en:
  ## Introduction

  I wrote half the chapters of my first book in coffee shops. Not because I lacked an office, but because coffee shops have a magical atmosphere — neither lonely nor distracting.

  <!--break-->

  ## Why Coffee Shops Suit Work

  Research shows that moderate ambient noise (about 70 decibels) best stimulates creative thinking. The background sounds of a coffee shop — espresso machine steam, low conversations, clinking cups — fall right in this range.

  More important is "social suggestion". People working around you make you unconsciously enter a working state too. This is why many prefer libraries over home.

  ## My Coffee Shop Work Checklist

  1. Choose a corner seat, back to the flow
  2. One Americano + one glass of water
  3. Turn off phone notifications
  4. Use Pomodoro: 25 min work + 5 min looking out the window
  5. Move to a new place after hitting a milestone

  Work is not about location, but state. Coffee shops help me switch states.


slug: hiking-minya-konka
title: 徒步贡嘎雪山纪实
title_en: Hiking Minya Konka: A Chronicle
cover_image: https://images.unsplash.com/photo-1454496522488-7a8e488e8606?w=800
tags: travel
status: published
publish_date: 2026-07-18
created_at: 2026-08-01 14:27:02
updated_at: 2026-08-01 14:27:02
content_md:
  ## 引言

  贡嘎雪山，海拔 7556 米，蜀山之王。我没有登顶，只是徒步了它脚下的子梅垭口——但那已经足够让我重新认识"高"这个字。

  <!--break-->

  ## 第一天：从草科到子梅村

  早上六点从草科乡出发，沿着河谷一路向上。植被从阔叶林变成针叶林，再变成低矮的杜鹃灌丛。每走一小时，海拔上升大约 300 米。

  下午三点到达子梅村，海拔 3400 米。这是一个只有十几户人家的小村子，牦牛在屋前吃草，炊烟从石板屋顶飘出。房东大叔端出酥油茶，咸的，很浓，喝下去整个人都暖了。

  ## 第二天：垭口的震撼

  凌晨四点起床，目标是子梅垭口（4550 米）。月光下，雪山的轮廓像一把巨大的锯齿。走到一半，太阳出来了，整座贡嘎主峰被点燃——从灰蓝到金黄再到纯白，那种光的层次无法用语言描述。

  站在垭口回望，云海在脚下翻涌。我突然理解了为什么藏民把雪山视为神——它确实有一种让人沉默的力量。

  ## 装备建议

  - 高帮徒步鞋（必备）
  - 羽绒服 + 冲锋衣（早晚温差 20 度）
  - 葡萄糖口服液（高反应急）
  - 防晒霜 SPF50+（紫外线极强）

content_md_en:
  ## Introduction

  Minya Konka, 7556 meters, the King of Shu Mountains. I did not summit; I only hiked the Zimei Pass at its foot — but that was enough to make me重新 understand the word "high".

  <!--break-->

  ## Day 1: Caoke to Zimei Village

  Departed from Caoke Township at 6 AM, climbing along the river valley. Vegetation changed from broadleaf forest to coniferous forest, then to low rhododendron shrubs. Every hour, the altitude rose about 300 meters.

  Reached Zimei Village at 3 PM, elevation 3400 meters. A small village of a dozen households, yaks grazing in front of houses, smoke rising from slate roofs. The host uncle brought butter tea — salty, thick, warming to the bones.

  ## Day 2: The Awe of the Pass

  Up at 4 AM, target Zimei Pass (4550m). Under moonlight, the silhouette of the snow mountain looked like a giant saw. Halfway up, the sun came out and the entire main peak of Minya Konka was ignited — from gray-blue to gold to pure white; the layers of light cannot be described in words.

  Looking back from the pass, a sea of clouds surged below. I suddenly understood why Tibetans consider snow mountains sacred — it truly has a power that makes people fall silent.

  ## Gear Recommendations

  - High-top hiking boots (essential)
  - Down jacket + hardshell (20°C temperature swing between morning and evening)
  - Glucose oral solution (for altitude sickness emergencies)
  - Sunscreen SPF50+ (extreme UV)


slug: embroidered-daisy-bouquet-phone-case
title_en: Embroidered Daisy Bouquet Phone Case
cover_image: /uploads/1785601272664-wjnv8c.jpg
tags: test
status: published
publish_date: 2026-08-01
created_at: 2026-08-01 16:22:45
updated_at: 2026-08-01T16:24:22.675Z
content_md_en:
  # Embroidered Daisy Bouquet Phone Case — A Tiny Garden in Your Pocket

  ![Hero Image — A white phone case embroidered with three daisies and a pink bow](attachment:2fae1dcc3ade7855a62de055a3671fda)

  > *Some projects turn an everyday object into something you want to keep looking at. This plain white phone case becomes a tiny garden: three white daisies with yellow centers, pale green stems, and a soft pink bow. It is embroidery on a small scale, but the charm is enormous.*
  > 
  > *有些手作会把日常物件变成忍不住多看几眼的东西。这只素白手机壳变成了一座迷你花园：三朵白色雏菊、黄色花心、浅绿花茎，再加一只粉色蝴蝶结。刺绣虽小，可爱却很大。*

  ---

  ## Materials / 材料清单

  |English|中文|
  |--|--|
  |Plain white silicone phone case|素白色硅胶手机壳|
  |Water-soluble fabric marker|水消笔或布艺记号笔|
  |Embroidery needle|绣花针|
  |Embroidery floss — white|绣线——白色|
  |Embroidery floss — golden yellow|绣线——金黄色|
  |Embroidery floss — pale green|绣线——浅绿色|
  |Embroidery floss — soft pink|绣线——柔粉色|
  |Small scissors|小剪刀|
  |Small pearl or bead (optional)|小珍珠或装饰珠（可选）|

  ---

  ## Steps / 制作步骤

  ### 01 — Sketch the Bouquet and Start the First Petals

  ![Step 01 — Drawing the daisy bouquet outline on the phone case and beginning the first white petals](attachment:a226e145bae000a414c2bedd27073887)

  > Use a water-soluble fabric marker to draw the bouquet directly onto the phone case: three daisies on curved stems, tied together with a small bow at the bottom. Keep the lines light so they disappear later. Thread your needle with white floss and begin the first flower, working each petal as a short straight satin stitch radiating from the center.

  **画稿并绣第一朵花的花瓣** — 用水消笔在手机壳上画出花束：三朵雏菊长在弯曲花茎上，底部系一只小蝴蝶结。线条要轻，之后能洗掉或自然褪去。穿好白色绣线，从第一朵花开始，每片花瓣用短直线缎面绣从花心向外放射。

  ---

  <!--break-->

  ### 02 — Build the First Daisy

  ![Step 02 — The first daisy taking shape with layered white petals](attachment:ea4567bd211681365f120ff9b7fedac6)

  > Continue adding white petals around the first flower center. Overlap them slightly so the flower looks full rather than sparse. Keep the stitches close together and all pointing outward — this gives the petals their soft, natural curve.

  **完成第一朵雏菊** — 继续在第一朵花心周围加白色花瓣，让它们稍微交叠，看起来饱满而不是稀疏。针脚要排得紧密，方向都朝外——这样花瓣才有柔和自然的弧度。

  ---

  ### 03 — Start the Second Flower

  ![Step 03 — The first daisy complete and the second daisy petals beginning](attachment:3c7f6341e662f5abc74e789cc1d2d083)

  > Move to the second flower and repeat the same petal stitches. Work one petal at a time, following your drawn outline. The two flowers should feel like a conversation — close enough to look like a bouquet, but each kept distinct and round.

  **绣第二朵花** — 移到第二朵花，重复同样的花瓣针法。一次绣一片花瓣，沿着画好的轮廓走。两朵花要像在对话——近得像一个花束，但每朵都保持圆润独立。

  ---

  ### 04 — Add the Yellow Centers

  ![Step 04 — Golden yellow French knots filling the centers of the first two daisies](attachment:62c9134dbc0babd46b1b598abfc74283)

  > Switch to golden yellow floss and fill each flower center with French knots. Work the knots close together so the center looks textured and raised, like a real daisy's disc florets. The yellow against the white petals is what makes the whole design pop.

  **点黄色花心** — 换金黄色绣线，在每朵花中心绣法国结粒。结粒要紧挨着，让花心看起来有立体纹理，像真雏菊的花盘。黄色衬在白花瓣上，整个图案立刻鲜活起来。

  ---

  ### 05 — Two Daisies Complete

  ![Step 05 — Two finished daisies with clean white petals and golden centers](attachment:7270df9b9cd1173b91aef0888dc44326)

  > Step back and look at the first two flowers. The white petals should be even, the yellow centers rounded, and the overall shape balanced. If any petal looks out of place, now is the time to gently tug the thread or add a small compensating stitch.

  **两朵雏菊完成** — 退后看看前两朵花。白色花瓣要匀称，黄色花心要圆润，整体形状平衡。如果有哪片花瓣位置不对，现在轻轻拉线或补一小针调整最合适。

  ---

  ### 06 — Add a Pearl Accent

  ![Step 06 — A small pearl placed where the third daisy will sit](attachment:f3dc07c3374907e3c717b2ad30d3c7aa)

  > Before stitching the third flower, place a small pearl or bead at its center position. This tiny accent adds a gentle highlight and gives the bouquet a bit of dimension. Secure it with a few hidden stitches from the back, or leave it in place as a guide for the final flower.

  **加一颗珍珠点缀** — 在绣第三朵花之前，先放一颗小珍珠或装饰珠在花心位置。这个小点缀能增加柔和高光，让花束更有层次。从背面用几针隐藏针脚固定，或者先放着当作最后一朵花的定位点。

  ---

  ### 07 — Complete the Third Daisy

  ![Step 07 — The third daisy petals stitched around the pearl center](attachment:96675d9bb921771cc8af605b67eb1928)

  > Stitch the third daisy's white petals around the pearl center. Because the pearl takes up the middle, you only need to add petals radiating outward. This creates a slightly different texture from the first two flowers and keeps the bouquet visually interesting.

  **完成第三朵雏菊** — 围着珍珠中心绣第三朵雏菊的白色花瓣。因为珍珠已经占了中间位置，只需向外放射花瓣即可。这样和前两朵花形成不一样的质感，让花束看起来更有变化。

  ---

  ### 08 — Add the Green Stems

  ![Step 08 — Pale green stems connecting the three daisies to the bow](attachment:8c0c6fde00f2300cbdefd7817dc6bfe4)

  > Switch to pale green floss and stitch the three stems. Use a simple backstitch, following the curved lines you drew earlier. Keep the tension even so the stems lie smoothly against the phone case. The stems should meet at the bow, giving the bouquet its gathered look.

  **绣绿色花茎** — 换浅绿色绣线，用回针绣三条花茎。沿着之前画好的弧线走，张力保持均匀，让花茎平整地贴在手机壳上。三条花茎在蝴蝶结处汇合，才有花束被束在一起的感觉。

  ---

  ### 09 — Stitch the Pink Bow

  ![Step 09 — A soft pink satin-stitch bow tying the stems together](attachment:498fdad91d17173edb3cd11a4019926d)

  > Using soft pink floss, fill in the bow with satin stitches. Work the two loops first, then the small knot in the center, and finally the two ribbon tails hanging down. The pink bow is the finishing touch that turns three separate flowers into one sweet bouquet.

  **绣粉色蝴蝶结** — 用柔粉色绣线以缎面绣填满蝴蝶结。先绣两个环，再绣中间小结，最后绣两条垂下的飘带。这只粉色蝴蝶结是点睛之笔，把三朵独立的花变成一束甜甜的小花束。

  ---

  ### 10 — The Finished Case

  ![Step 10 — The completed embroidered daisy phone case held in hand](attachment:c1469528d6c087be71c7e3e8053ea9f8)

  > All three daisies, the green stems, and the pink bow are now in place. Take a moment to check the back of the case for loose threads and trim them neatly. The front should look clean and intentional — a small hand-stitched garden you carry with you.

  **成品全貌** — 三朵雏菊、绿色花茎、粉色蝴蝶结全部就位。翻过来检查一下背面有没有 loose 线头，修剪整齐。正面应该干净、有设计感——一座可以随身携带的小小刺绣花园。

  ---

  ### 11 — Another Angle

  ![Step 11 — The finished phone case shown from a different angle](attachment:537a53f9b8aa3aaf7964f6ec248fa430)

  > Hold the case at an angle to see how the stitches catch the light. The slight texture of the embroidery catches shadows beautifully, making the daisies look almost three-dimensional against the smooth white surface.

  **换个角度** — 斜着拿手机壳，看看针脚如何在光线下产生阴影。刺绣的轻微纹理会投出漂亮的影子，让雏菊在光滑的白色壳面上显得几乎立体。

  ---

  ### 12 — Close-Up Detail

  ![Step 12 — A close-up of the embroidered daisies and bow](attachment:dbf458959bbebc6323b91d8e3f638225)

  > A close-up reveals the real charm: tiny satin stitches, tight French knots, and the soft sheen of the floss. Imperfections are part of the handmade appeal — no machine could replicate the slight variation in each petal.

  **细节特写** — 凑近看才见真功夫：细密的缎面绣、紧实的结粒、绣线柔和的光泽。不完美正是手工的魅力——每片花瓣细微的差别，是机器复制不出来的。

  ---

  ## A Few Final Notes / 最后几句

  > *This phone case is proof that you don't need a lot of time or expensive materials to make something lovely. A plain case, a few colors of floss, and a quiet afternoon are enough. Every time you pick up your phone, you will see a little garden that you grew yourself.*
  > 
  > *这个手机壳证明，不需要很多时间和昂贵材料也能做出可爱的东西。一个素壳、几色绣线、一个安静的下午就够了。每次拿起手机，你都会看见一座自己种出来的小花园。*

  > *Happy stitching — one petal at a time.*
  > 
  > *愿你绣得愉快——一片花瓣一片花瓣慢慢来。*


slug: how-to-make-a-beaded-embroidered-fish
title_en: How to Make a Beaded Embroidered Fish | 串珠刺绣鱼制作教程
cover_image: /uploads/1785602500423-3jt5w6.jpg
tags: life
status: published
publish_date: 2026-08-01
created_at: 2026-08-01 16:41:47
updated_at: 2026-08-01T16:41:55.599Z
content_md_en:
  # How to Make a Beaded Embroidered Fish

  #### 串珠刺绣鱼制作教程

  ---

  ![Final — Beaded Embroidered Fish](/uploads/1785602494723-yzyjva.jpg)

  ---

  > *A fish cut from felt, stitched with blue and silver thread, then dressed in beads and sequins — this is the kind of slow craft that feels like painting with tiny treasures. The best part? Once finished, you sew it right onto a jacket, a shirt, or a tote bag, and wear your art out into the world.*

  > 一条从毛毡上剪下来的鱼，先用蓝银绣线铺底，再穿上珠子和亮片——这种慢手工像是在用微小珍宝画画。最棒的是：绣完直接缝到外套、衬衫或帆布袋上，把作品穿出门。

  ---

  ## Materials & Tools · 材料与工具

  |Item|材料|
  |:--|:--|
  |Embroidery hoop (small to medium)|小号或中号刺绣绷框|
  |Felt or thick fabric base|毛毡或厚布底|
  |Fish pattern (drawn or printed)|鱼的图纸（手绘或打印）|
  |Embroidery floss (blue, white, black, red/orange)|绣线（蓝、白、黑、红/橙色）|
  |Assorted beads (seed, bugle, round)|各色米珠、管珠、圆珠|
  |Sequins in mixed colors|彩色亮片|
  |Embroidery needle|绣花针|
  |Fabric marker or pencil|水消笔或热消笔|
  |Scissors|剪刀|
  |A garment to sew onto (jacket, shirt, tote bag)|待缝的衣服或布袋（外套、衬衫、帆布袋）|

  ---

  ## The Steps · 制作步骤

  ---

  ### 1 — Draw the Fish Outline

  ![Step 1](/uploads/1785602494642-1r0dtt.jpg)

  > Draw a simple fish shape on your felt and cut it out. Mount it in an embroidery hoop so the fabric stays taut while you stitch. The drawn lines will guide your bead placement.

  **绘制鱼形轮廓** — 在毛毡上画出鱼形并剪下，绷进刺绣框里固定。这些线条会作为后面填珠和绣线的分区参考。

  ---

  ### 2 — Embroider the Eye

  ![Step 2](/uploads/1785602494690-zmvt34.jpg)

  > Start with the eye. Use satin stitches in black, white, and gray to build a round, dimensional eye. This becomes the focal point of the whole fish.

  **绣眼睛** — 先用黑白灰绣线以缎面绣堆叠出一只立体圆眼。眼睛是整个鱼脸的视觉焦点。

  ---

  ### 3 — Lay the Head Base

  ![Step 3](/uploads/1785602494724-pcjc5v.jpg)

  > Begin covering the head and upper gill area with blue embroidery floss. Use short straight stitches to create a solid color foundation before adding beads.

  **头部打底** — 用蓝色绣线以短直针铺满头部和鳃部上方，先建立一个均匀的底色，方便后续叠加珠子。

  ---

  ### 4 — Fill the Head

  ![Step 4](/uploads/1785602494643-cpebxt.jpg)

  > Continue filling the head with layered blue threads. Vary the shades slightly — from dark navy near the mouth to lighter blue on the cheeks — to give the fish a sense of depth.

  **填满头部** — 继续用蓝色绣线叠绣。嘴角附近用深蓝，脸颊用浅蓝，做出一点深浅变化，鱼头会更有立体感。

  ---

  ### 5 — Start the Beadwork

  ![Step 5](/uploads/1785602494758-hyiv2y.jpg)

  > Begin adding beads and sequins along the top of the fish. Start from the head and work backward, following the natural curve of the spine.

  **开始珠绣** — 从鱼头沿着背部上方开始加珠子和亮片，顺着脊椎的曲线往后铺。

  ---

  ### 6 — Build the Upper Body

  ![Step 6](/uploads/1785602494769-8zvume.jpg)

  > Add a mix of blue, teal, and silver sequins to the upper body. These shiny discs catch the light and mimic the reflective scales of a real fish.

  **丰富上半身** — 在鱼背区域加入蓝、青绿、银色亮片。这些亮片和珠子交错，像真实鱼鳞一样反光。

  ---

  ### 7 — Fill the Mid-Body

  ![Step 7](/uploads/1785602494722-56teni.jpg)

  > Work across the middle section with a dense mix of beads, sequins, and thread. Don't worry about perfect symmetry — the charm comes from the layered, slightly irregular texture.

  **填满中段** — 鱼身中段用密集的珠、亮片、绣线混合填充。不用追求完全对称，层次感和不规则的肌理反而是特色。

  ---

  ### 8 — Add the Lower Body

  ![Step 8](/uploads/1785602494640-o8hl9n.jpg)

  > Continue down toward the belly, introducing warmer tones — gold, pink, and soft coral — where the body meets the fins. This color transition makes the fish look alive.

  **铺下半身** — 向腹部延伸，加入金、粉、珊瑚色等暖调珠片。冷暖过渡让鱼身看起来更有生气。

  ---

  ### 9 — Embroider the Tail and Fins

  ![Step 9](/uploads/1785602494620-2dm04y.jpg)

  > Use bright red and orange beads and threads to fill the tail, dorsal fin, and side fins. The warm fins contrast beautifully with the cool blue body.

  **尾巴和鱼鳍** — 用红、橙珠子和绣线填满尾鳍、背鳍和侧鳍。暖色鳍部和冷色鱼身形成漂亮的对比。

  ---

  ### 10 — Cut Out the Fish

  ![Step 10](/uploads/1785602494641-8sd7qt.jpg)

  > Once the embroidery is complete, carefully remove the fish from the hoop. Trim the edges neatly, leaving enough felt around the stitching so nothing frays. Clean up any loose threads — you now have a finished fish, ready to sew onto your garment.

  **剪下鱼** — 绣完后把鱼从绷框上取下，沿边缘整齐修剪，注意保留足够的毛毡边不脱线。剪掉多余的浮线——此时得到一只完整的鱼，准备缝到衣服上。

  ---

  ### 11 — Sew Onto the Garment

  ![Step 11](/uploads/1785602494701-utihpd.jpg)

  > Choose where the fish belongs — on the chest of a denim jacket, the pocket of a linen shirt, or the front of a canvas tote. Use matching thread and small invisible stitches along the felt edge to secure it firmly. The beads are dense, so push the needle through gaps rather than forcing it through the beadwork.

  **缝上衣服** — 选好位置——牛仔外套胸口、亚麻衬衫口袋、帆布袋正面都可以。用同色线沿毛毡边缘走小针，隐形缝合，缝牢。珠绣很密，下针时找珠片间隙穿，别硬顶珠子。

  ---

  ### 12 — Wear It & Style It

  ![Step 12](/uploads/1785602494721-41l190.jpg)

  > Put on your newly embellished garment and take a photo. The fish catches the light differently when worn — every movement makes the sequins flicker. This is what handmade slow fashion looks like: one of a kind, full of hours of care.

  **穿上身** — 穿上这件改造后的衣服拍张照。珠片穿在身上光线变化更丰富，每个动作都让亮片闪烁。这就是手工慢时尚的样子——独一无二，满载时间。

  ---

  ### 13 — Detail Shot

  ![Step 13](/uploads/1785602494643-x2wmr1.jpg)

  > Zoom in on the texture. The combination of thread, beads, and sequins creates a rich, tactile surface that looks different from every angle.

  **细节特写** — 拉近看肌理：绣线、米珠、亮片、管珠交错，形成丰富的触感，每个角度反射的光线都不一样。

  ---

  ### 14 — The Art of Wearing Handmade

  ![Step 14](/uploads/1785602494723-yzyjva.jpg)

  > Step back and admire. That fish — made of thread, felt, beads, and sequins — is now part of your everyday wardrobe. Every time someone asks about it, you get to say: *I made that.* There is no better feeling for a maker.

  **穿着手作** — 退后一步看看——这条用绣线、毛毡、珠子、亮片做的鱼，已经是你日常穿搭的一部分。每次有人问"哪里买的？"，你都能说：*自己做的。* 对手工人来说，没有比这更好的成就感了。

  ---

  > *Happy stitching — one bead at a time. Now go wear it.*

  > *愿你绣得愉快 — 一针一珠慢慢来。然后穿上它出门吧。*


slug: beaded-holiday-wreath-earrings-tutorial
title_en: Beaded Holiday Wreath Earrings Tutorial
cover_image: /uploads/1785602577008-dzdzwj.jpg
tags: test
status: published
publish_date: 2026-08-01
created_at: 2026-08-01 16:42:59
updated_at: 2026-08-01T16:43:02.842Z
content_md_en:
  # Beaded Holiday Wreath Earrings Tutorial

  #### 串珠花环耳钉教程

  > *A miniature Christmas wreath, stitched bead by bead, small enough to wear on your ear. This is the kind of project that reminds you just how much life and detail can fit into a single stitch — a tiny green ring scattered with gold sparks and red berries.*

  > 一枚迷你圣诞花环，一颗珠子一颗珠子地穿成，小到可以挂在耳垂上。这种作品会提醒你：一针一线里，能装下多少细节和生气——一个小小的绿色圆环，洒满金光与红果子。

  ![Pair of finished wreath earrings](/uploads/1785602547144-t79tk8.jpg)

  ---

  ## Materials / 材料清单

  |Material|材料|
  |--|--|
  |Green bicone crystals (large)|绿色双锥水晶（大颗）|
  |AB-coated crystal bicones (iridescent)|幻彩 AB 涂层水晶|
  |Light green and dark green seed beads|浅绿和深绿米珠|
  |Gold spacer beads|金属金色隔珠|
  |Red seed beads (for the berries)|红色米珠（做红果子）|
  |Earring posts (with flat pad)|耳钉针（带平底托）|
  |MIYUKI Dtex nylon beading thread|MIYUKI Dtex 尼龙珠绣线|
  |Thin beading needle|细珠绣针|
  |Scissors and thread burner (optional)|剪刀和烫线器（可选）|

  ---

  ### 1 — Gather the Green Bicone Crystals

  ![Step 1](/uploads/1785602547086-xaee70.jpg)

  > Start with the rich green bicones that will form the body of the wreath. Hold them in your palm so you can feel the weight and see the cut of every facet.

  **收集绿色双锥** — 取出最饱满的绿色双锥水晶，做花环主体。摊在掌心，看清每颗的切面、感受它们的分量。

  ---

  ### 2 — Add Iridescent Crystal

  ![Step 2](/uploads/1785602547057-puoxme.jpg)

  > Mix in a few AB-coated crystals for sparkle. Their iridescent finish will catch the light differently from the plain green ones, making the wreath look frosted.

  **加幻彩水晶** — 混入几颗 AB 涂层水晶，它们折射出的光和素绿珠不同，让花环像挂了一层薄霜。

  ---

  ### 3 — Red Seed Beads for the Berries

  ![Step 3](/uploads/1785602546902-r4cizs.jpg)

  > Set aside a small pile of red seed beads. These tiny dots of color will be the holly berries that pop against the green.

  **红色米珠做果实** — 留出一小撮红色米珠，这些小红点点缀在绿叶上，就是冬青果。

  ---

  ### 4 — Dark Green Seed Beads

  ![Step 4](/uploads/1785602547067-wsnk4n.jpg)

  > Keep dark green seed beads close at hand. They will fill the gaps between the larger bicones and give the wreath body and depth.

  **深绿米珠填空** — 深绿米珠用来填补大水晶之间的缝隙，让花环更厚实、更有层次。

  ---

  ### 5 — Light Green Seed Beads

  ![Step 5](/uploads/1785602546992-zxu65g.jpg)

  > A handful of lighter green seed beads will be the highlight color. They bring the wreath to life the way sun brings out the color of leaves.

  **浅绿米珠提亮** — 浅绿米珠做点缀色，让花环像被阳光照过一样鲜亮。

  ---

  ### 6 — Gold Spacers

  ![Step 6](/uploads/1785602546897-jmnyqt.jpg)

  > Gold spacer beads are the tinsel. A few scattered around the wreath will make it look like the holidays themselves are stitched in.

  **金色隔珠当彩带** — 金色隔珠就是花环上的彩带丝光，散落几颗，节日感立刻拉满。

  ---

  ### 7 — Pick the Earring Posts

  ![Step 7](/uploads/1785602547128-dwht5z.jpg)

  > Choose a pair of flat-pad earring posts. The flat pad is the surface you will stitch the wreath onto, so make sure it is large enough to hide under the beads.

  **选好耳钉针** — 选一对平底托的耳钉针，这个平面就是花环缝上去的"画布"，要确保够大、能被珠子盖住。

  ---

  ### 8 — Use Strong Beading Thread

  ![Step 8](/uploads/1785602546905-t11c9u.jpg)

  > MIYUKI Dtex nylon thread is the secret to a sturdy wreath. It is fine, nearly invisible, and strong enough to hold the shape of every bicone in place.

  **选结实珠绣线** — MIYUKI Dtex 尼龙线是花环结实的关键：细到几乎隐形，又足够撑住每一颗水晶的形状。

  ---

  ### 9 — Thread and Start the First Cluster

  ![Step 9](/uploads/1785602547088-s369qu.jpg)

  > Thread your needle, then pick up one large bicone followed by two seed beads. This three-bead combination is the repeating unit of the wreath.

  **穿针起头** — 穿好线后，先串 1 颗大水晶 + 2 颗米珠。这三颗一组的穿法是花环的基本单元。

  ---

  ### 10 — Stitch the Cluster Together

  ![Step 10](/uploads/1785602547087-90il4t.jpg)

  > Pass the needle back through the bicone to form a small triangle. Pull the thread tight — you should already see the outline of a wreath forming.

  **缝合成小簇** — 把针穿回大水晶，缝成一个小三角。拉紧线后，你已经能看到花环的雏形了。

  ---

  ### 11 — String More Bicone Units

  ![Step 11](/uploads/1785602547144-zuwcmb.jpg)

  > Keep adding units: one bicone plus two seed beads, joined into a triangle. Each new unit links to the previous one through its seed beads.

  **继续串单元** — 不断重复「1 大水晶 + 2 米珠」的穿法，并缝成三角。每一组都通过米珠和上一组连接。

  ---

  ### 12 — Build the First Arc

  ![Step 12](/uploads/1785602547149-mb76w7.jpg)

  > After a few units, hold the work in your fingers. You should see a short arc of green crystals curving gently.

  **形成第一段弧** — 串完几组后握在手里，应该能看到一小段绿色水晶弧线。

  ---

  ### 13 — Tighten the Thread

  ![Step 13](/uploads/1785602546856-0l0e4h.jpg)

  > After every two or three units, give the thread a firm pull. Consistent tension is what keeps the wreath round instead of lopsided.

  **拉紧线** — 每穿 2-3 组就用力拉一次线，均匀的张力是花环保持圆整而不歪斜的关键。

  ---

  ### 14 — Stitch Around the Curve

  ![Step 14](/uploads/1785602547135-xze2qc.jpg)

  > Continue adding units and stitching them into the curve. The wreath slowly grows, like a green vine wrapping itself into a circle.

  **绕圈缝合** — 继续穿单元、缝进弧线里。花环像一根绿藤，慢慢卷成圆。

  ---

  ### 15 — The Ring Forms

  ![Step 15](/uploads/1785602546903-maqjju.jpg)

  > At about ten units, the arc starts to close on itself. Hold it up to the light and you will see the unmistakable shape of a tiny wreath.

  **圆环初现** — 串到大约 10 组时，弧线开始合拢。举到光下看，小花环的形状已经清晰了。

  ---

  ### 16 — Half-Ring Check

  ![Step 16](/uploads/1785602547085-ad2n5e.jpg)

  > Pause and check the symmetry. Both sides of the ring should have the same number of crystals, with the seed beads evenly distributed.

  **半圆检查** — 停下来检查对称性，圆环两边的水晶数量应一致，米珠分布也要均匀。

  ---

  ### 17 — Close the Wreath

  ![Step 17](/uploads/1785602547007-omo11y.jpg)

  > When you reach the end, join the last unit to the first with a few tight stitches. Tie off the thread and weave the tail back through the beads to hide it.

  **收口成环** — 绕回起点时，用几针把最后一组和第一组缝紧，打结，把线尾藏进珠子中间。

  ---

  ### 18 — Add the Gold Tinsel

  ![Step 18](/uploads/1785602546985-qv6djc.jpg)

  > Thread a new needle and stitch a gold spacer bead between two of the larger bicones. Repeat around the ring, scattering gold like tinsel.

  **点上金色** — 换一根针，在两颗大水晶之间缝一颗金色隔珠。环绕一圈，让金光像彩带一样点缀其间。

  ---

  ### 19 — Fill with Dark Green

  ![Step 19](/uploads/1785602547010-yffxlv.jpg)

  > Weave dark green seed beads into the gaps between the larger crystals. They tuck the gold in and make the wreath look fuller.

  **深绿填空** — 在大水晶之间的缝隙里藏入深绿米珠，把金色珠固定，也让花环更厚实。

  ---

  ### 20 — Add the Red Berries

  ![Step 20](/uploads/1785602547008-tgpmru.jpg)

  > Tuck one or two red seed beads between the green crystals. This is the moment the wreath officially looks like Christmas.

  **点上红果** — 在绿色水晶之间藏一两颗红色米珠。这一步之后，花环就是真正的圣诞花环了。

  ---

  ### 21 — The Finished Wreath

  ![Step 21](/uploads/1785602546896-h9qnub.jpg)

  > Hold your wreath on the tip of your finger. Look at how much detail lives inside something smaller than a fingernail.

  **完成单只** — 把花环立在指尖上看看，比指甲盖还小的东西里，竟藏着这么多细节。

  ---

  ### 22 — A Close-Up Look

  ![Step 22](/uploads/1785602547009-90c5jj.jpg)

  > Turn it slowly between your fingers. Every facet catches a different angle of light. Repeat the entire process to make a matching pair.

  **近看细节** — 在指间慢慢转动，每一颗切面都在折射不同角度的光。重复整个步骤，做第二只凑成一对。

  ---

  ### 23 — Wear It for the Holidays

  ![Step 23](/uploads/1785602547143-bc88o7.jpg)

  > Stitch the wreath onto the flat pad of an earring post. Slip it on, and you are wearing a tiny Christmas on your ear — small enough to wear year-round if you simply love the green and the gold.

  **佩戴出门** — 把花环缝到耳钉针的平托上，戴上它，整个圣诞节就挂在你的耳垂上——就算不只属于圣诞，也值得为那一抹绿与金，戴一整年。

  ---

  > *Happy stitching — one bead at a time.*

  > *愿你绣得愉快 — 一颗珠子一颗珠子慢慢来。*


